ESILENT VISUAL THEATRE SHOW.

Three musicians from a bankrupt orchestra in the East venture into the heart of the underground to play and earn some money. Probably, from a bankrupt or breakaway orchestra from the East. And they play their music for a special audience. Depending on the station or the moment, they will play for one person or for a crowd. A demanding public but not precisely cultural. Where are the past glories...?

Here, Bach, Grieg or even the very Smetana are not really recommended. Perhaps something more popular or, perhaps, not even that. It's a question of adapting to the audience. With hunger gripping and intellects sharpening, no art is minor if the artist is great. Applause is unimportant, only the hat that will save us for one more day matters.

Meanwhile, trains pass by, people wait on the platforms, the artists demand attention and everything resembles a subterranean comedy.

Our characters have to do anything in their quest for a euro; they will confront empty trains and full trains, with a suggestive resounding space created by Fran Lasuen and some scenes constantly impregnated with humour, irony and a certain caustic element. .

"The three actors develop their characters, the gradual deterioration of their clothes, their behaviour in crucial moments characterises each one. It is a work with style, a brand proposal, .... Resorting to visual gags .... to produce a pleasant staging effect, with aesthetically splendid moments ."
CARLOS GIL. GARA

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"On the other hand, I would say that it is a staging where the sound track, the drama and the corporal visual effects are extremely well-crafted.... The work is full of visual effects, each as beautiful as next...."
AGUS PEREZ. EGUNKARIA.